Nikon 80-200mm f/2.8D AF

February 12th, 2005 | 17:23

I picked up a Nikon 80-200mm f/2.8D AF lens on EBay last week in preparation for our Alaska trip in the late spring (It’s an older one, #3 on Ken Rockwell’s review). This is my first “pro”-type lens: heavy with fine optics, expensive but not insanely so. With the 18-70mm D70 kit lens, I should be covered from the sort-of-wide 18mm to 200mm range (I’m told that the problem with Alaska photography is one of scale: lots of wide panoramic shots and lots of long shots of wildlife in the distance, so at least two lens will be needed to get quality at a reasonable cost). A good, wide lens (say, the Nikon 12-24mm) would cost more than the camera, and I’m not ready to go in that direction yet. I may pick up the cheap Nikon 70-300mm as a walk-around lens before the trip, mainly to get that extra 50% more reach and because it’s only about 35% of the weight.

Anyway, here are some test shots I took today. This is walking near the Flats. Not too many pictures, as the battery died after a couple dozen shots (I haven’t recharged it in months).

I had to get relatively close to the geese to get these shots, so even the 300mm is probably going to be too short; I might need to get a teleconverter for the distant wildlife-type shots. With the teleconvertor on the f/2.8, the lens should still be fairly fast. These shots consist of resized photos (for space reasons) from the Fine JPEG files and 100% crops of a few of the shots to show detail. All shots were handheld, and the flying gulls were there by the luck of the autofocus. The autofocus, incidentally, was faster than I expected it to be.

Update: Actually, the way to have gotten the gulls in flight would have been to set up a trap focus, so that the camera automatically shoots when something gets in focus.

Carnage and Culture

February 8th, 2005 | 12:07

I read Victor David Hanson’s Carnage and Culture last year, coincidentally soon after reading Creasy’s Victorian-era survey book Fifteen Decisive Battles of the World

The earlier book consisted of relatively brief descriptions of the various battles that Creasy believed shaped history, the pinnacle of history being (of course) the British Empire of the 19th Century. Perhaps unsurprisingly, half a dozen of these battles involved the British (though not all were victories), from Hastings to Waterloo. Hanson notes that in the 150 years since Creasy’s book was published, these sorts of survey histories have fallen out of favor in relation to far more detailed studies of particular events, institutions and movements. But this is still a useful book to get a quick summary of, well, various events, has made it onto Rep. Skelton’s National Security reading list, and has allowed Dan Rather to make bizarrely obscure references to the Peloponnesian War. It’s a fairly good read.

Hanson’s book is a similar survey discussing nine battles, but the survey is used to provide examples illustrating a particular argument the author is making, rather than being a presentation of these battles in their own right. Hanson’s argument is that Western military culture, perhaps from an accident of Greek geography, has been uniquely lethal on the battlefield compared to other military cultures, and that Western society in general has spread globally because it uniquely provides the foundations for this military culture.

Interestingly, Hanson makes a point in comparing this argument to the one he believes is presented in Jared Diamond’s Guns, Germs and Steel. I read Diamond’s book a long time ago, and don’t remember him making the strong statement that Western preeminence was due to global geographic factors of climates and animal herds roaming longitudinally. I do remember the weaker statement that global geographic factors make it far, far more likely that a Eurasian society would be dominant rather than an African or American society, which doesn’t really contradict Hanson’s arguments that unique traits lead to dominance by a particular Eurasian culture. Bringing up Diamond in this fashion gives the impression of a strawman of geographic determinism being erected for pummelling. Hanson’s book is interesting in its own right, and doesn’t need this digression.

So, what makes Western military culture so lethal on the battlefield compared to other military cultures? Hanson uses exemplar clashes between Western and non-Western militaries to illustrate the differences based on the notions of individual freedom and initiative, free inquiry and self-audit, and a preference for decisive battles of annihilation. Most of this originated with the Greeks, who also provided the concept of heavy infantry as the primary element in these battles of annihilation. In the discussion of Salamis, we see the victory of free citizen-soldiers over the slave soldiers of Xerxes after a night of debate among the Greek generals on courses of action. At Gaugamela, we see the heavy Macedonian phalanx (a formation that embodies the Greek desire to fight closely with the enemy to decisively destroy him) aimed at and crushing the relatively lighter and looser formations of the Persian emperor, despite being grossly outnumbered. At Cannae (where a badly led Western army was lopsidedly defeated by a brilliantly led non-Western army), we see an example of civic militarism where the Romans basically refused to be beaten and therefore rallied all its national resources to eventually defeat the Carthagians. Creasy also covers battles from these wars, but, beyond arguing that Marathon, Gaugamela and Metarus were pivotal, does not delve into the factors that contributed to Western victory. The varying discussions of Cannae and Metarus are perhaps illustrative. Creasy points to Metarus as the point where Hannibal was stopped because his brother, bringing reinforcements from Spain, was defeated by brilliant Roman generalship. Hanson argues that Cannae was more like Pearl Harbor, where the nation-at-arms resolved that the defeat would be avenged, no matter how long it took. This anger and resolve allowed the Romans to call up legion after legion that made good the losses at Cannae and other battles, something that Hannibal and his mercenary army could not easily do: Hannibal would have to replicate Cannae half-a-dozen times to achieve victory, whereas the Romans had to defeat him once, and not necessarily crushingly.

The legacy of the phalanx is the Western tradition of heavy infantry, seen in the Roman legion and Renaissance pikeman. That these formations were already well-developed helped Western militaries take advantage of firearms when these became available: early gunpowder technology required mass volley-fire to be effective, and formations already trained to form lines naturally lent themselves to this new discipline. The other cultural attributes of individual freedom, inquiry and initiative, expressed in society at large, would eventually lead to the capitalist economies that could arm these formations with the latest weapons and keep them supplied far from home. And so we have Tenochtitlan and Cortez’s conquest of Mexico, Lepanto and the defeat of the Ottoman navy, and Rorke’s Drift and the one-sided slaughter of the South African colonial wars. With the conquest of Mexico, Hanson makes a point of how Cortez used locally available materials to restock his gunpowder supply and build a small but overwhelmingly powerful navy to take control of the lake surrounding Tenochtitlan. This use of raw materials was a consequence of Western tradition and scientific know-how. In contrast, Cortez’s native allies and Aztec enemies never were able to fully exploit the available materials in any way capable of challenging the Castillians on their own technological terms. Lepanto illustrates how the Ottomans, even though they had long-time access to Western military technology, never developed their own capability to produce more technology: the Sultan’s fleet was bought from Westerners or copied from Western designs. But, despite the bought technology, the Sultan’s fleet still lacked the initiative of the Western admirals and their desire for a decisive engagement; these are qualities that could not be easily copied or bought.

This adoption of the elements of Western military tradition by non-Westerners is the focus of the last two illustrative battles in Hanson’s book, Midway and Tet. At Midway, the Western-modelled Japanese fleet faced off with the American fleet. Hanson attributes this defeat to American scientific inquiry that led to the breaking of Japanese navy codes, to Yamamoto’s overly complicated but uncriticized plan, and to the initiative shown by the American pilots in finding and attacking the Japanese carriers. I think that the first part is true, but the last part was luck that the American strike happened when it did, with the Japanese carriers absolutely vulnerable. On the other hand, the American industrial advantage over Japan was such that the Japanese carrier force would eventually be sunk and not replaced, if not at Midway in so dramatic a fashion, then elsewhere, so perhaps this is a moot point. Hanson notes that the Japanese commanders tended to go down with their ships because of the loss of honor in having their ship shot out from underneath them; it would be shocking if American admirals did the same thing. This is perhaps an example in the culture of self-audit and the lack of this culture with the Japanese. Hanson implies that Yamamoto’s plan may have been vetted more thoroughly if produced by an American admiral with the flaws pointed out, though I’m not sure if this would be the case, as Western armies are not immune to bad leadership.

Tet is Hanson’s example of the culture of self-audit and self-criticism gone awry. He falls back to the notion that overly critical, overly negative media coverage of the Vietnam War and Tet in particular strongly contributed to eventual American defeat, despite overwhelming American military victories during Tet. Such criticism exacerbated the poor generalship and political leadership of the Americans, who had thrown away the Western preference for decisive battle in favor of limited rules of engagement and prohibitions against a decisive invasion of North Vietnam. This doesn’t take into account that Vietnam was a part of the larger Cold War, and calculations about the results of even stronger American military action in that context cannot be dismissed. Hanson duly notes that domestic critics of the war are falling back on a long tradition going back to Pericles, and that these criticisms did help in eventually correcting serious flaws in the American military (today’s all-volunteer military is a result of the post-Vietnam reorganization). This is all illustrative of the paradox of self-criticism: it greatly strengthens the military’s effectiveness, but can also seriously hamper military operations of the moment. He finishes by contrasting what happened to the United States after Vietnam to what happened to the Soviet Union after Afghanistan, a closed society without freedom of debate, the imploded after the debacle was acknowledged. In the end, after the Cold War, Vietnam will eventually become more like the West than the West like Vietnam, largely because of the Western tradition of free expression and self-criticism. In some sense, these attributes win the war in the long term.

Hanson wrote Carnage and Culture before 9/11. How does its ideas apply to today and to America’s engagement in Iraq? We certainly see their elements play out: a Western army rolling over an army modelled on Western lines but without the essential qualities that would have made it effective; individual initiative shown by American soldiers in reacting to the insurgency; the open questioning and audit of war leadership, perhaps embodied by the townhall meeting where Rumself was questioned by the troops; the larger criticism (quite arguably overly critical and relentlessly negative) from within America. No one knows yet how this story will end, but the Iraqi elections are perhaps the beginning of that end.

The Iraq war also illustrates a deficiency in Hanson’s analysis of the clashes between the West and non-Western militaries, especially in the last two hundred or so years. These Western military victories through decisive battle tend to be only one part of any ongoing wars fought between these armies and the native militaries. In the case of Iraq, decisive defeat of the Iraqi regular army was the first, relatively easy phase. Defeat of the insurgency is the longer, harder, costlier phase of what has to be done there. Hanson’s analysis is incomplete in that regard: how are insurgencies met, with decisive battle is no longer in the cards? Arguably, Hanson’s Vietnam analysis is flawed if one considers Vietnam a counterinsurgency war. Max Boot’s The Savage Wars of Peace provides some insight into this: it’s a history of America’s many “small wars”, where the military (usually Marines) is deployed in counterinsurgency fights and for operations short of war between states. Boot argues that the main failure of Vietnam was that it was fought like a “big war”, with the American leadership throwing out a century’s worth of hard-won knowledge about how insurgencies are fought and countries pacified. In this sense, the continually frustrated American preference for a decisive battle in Vietnam was a deeper mistake, being a failure to properly analyze the war in the first place. So far in Iraq, we see the great difficulties of counterinsurgency warfare, but at least the military appears to regard this as a “small war” and is fighting it appropriately.

Cleveland Gas Price Survey

February 2nd, 2005 | 23:16

Cleveland.com has a gas price survey that looks like it’s frequently updated. Of course, it’s probably not worth driving out (much less finding) some of these places, but one can get a feel for the prevailing prices.

Actually, this morning, I got gas at a BP near the aikido dojo for $1.87/gallon, which is apparently fairly cheap, as Monday’s survey had prices at $1.94 for the county. The Rapid Stop at 12115 Euclid Avenue is also one I pass by regularly, which was the third cheapest on the current list at $1.929. The survey doesn’t have Sam’s Club listed as a chain; members get a $0.05 discount.

Update: A much better website here: ClevelandGasPrices.com. This page specifically searches on the areas of Cleveland that we go to.

Update 2: Of course, we have someone binding the gas price database with Google Maps.

Trackback Spam

February 1st, 2005 | 07:33

Well, I got bombed last night with some 300 trackbacks advertising an online poker site. WordPress handles trackbacks processing differently from comments processing (even though they all wind up in the same database table), so this spam robot escaped the captcha. As I get notification of each comment/trackback posting, I basically woke up to find my Inbox full of crap.

There’s an unofficial WordPress anti-spam resource with a short discussion of trackback spam. This spam is still still in its infancy, so the available tricks are somewhat limited. What I’ve done is disable trackbacks completely by renaming the PHP file to something innocuous. If and when a reasonable method to deal with this is developed, I’ll put it back in place.

I don’t see a good way to deal with this, at least in a way analogous to the captcha. Captchas probably can’t be used because the trackback mechanism can’t push anything back to the commentor creating the trackback, so we can’t force a Turing test. Email confirmation requests could be used as a spam bomb or joe job. There’s always moderation, but, as my 300 junk emails this morning showed, a massive burden is then being put on the moderator. Hopefully, some clever WordPress hacker will come up with something, but trackbacks have this feel of the something from the old days of the Internet, where services were left more open because, hey, no one’s going to do something bad, right?

Update: This SpamKarma looks interesting, in a SpamAssassin way. From the description, it does scoring of incoming comments and trackbacks, and then discards them, requests a captcha, posts them, or submits them for moderation. The author notes that it fully works with WP 1.3, which I’m not using yet, so I’ll hold off until a future upgrade.

Update 2: The Register has an interview with a link spammer. Interestingly, link spammers don’t do what they do on the behalf of others, but write their bots to improve the rankings of their own sites and/or get their own referrals. Link spamming apparently hasn’t been outsourced yet. The Reg wonders if this is the sign of an immature industry.

Oberlin Aikido

January 31st, 2005 | 14:13

January is Winter Term at Oberlin College, the interstitial between the proper Fall and Spring terms, for students to have three weeks for non-standard coursework or independent projects. Oberlin Aikikai actually runs a program where they take raw newbies and, through thrice-daily two-hour classes, brings them to their first (initial) kyu test (rokyu), which normally happens after at least three months of practice. These are mostly daytime classes, and Jim Sensei at Cleveland Aikikai, suggested taking the 45-minute drive to Oberlin if one were underemployed and not particularly busy during the day. I think he was looking at me when he announced this.

Daytime classes are actually a good fit for my schedule. In an ideal world, there’d be lots of daytime classes available so I don’t wind up playing computer games and watching too much TV. Grace also has to get up early, so we go to sleep relatively early; night classes tend to happen inconveniently late (judo has actually been great, in part because they end pretty early and it’s only a 10-minute drive from the dojo). So, four hours of daytime training at Oberlin was really fantastic. I showed up at the beginning of their second week and went frequently aftewards. I didn’t go every day, but did go on about half the available days (more, if one assumes that I don’t want to do anything particularly strenuous on a judo day that ends with half an hour of vigorous ne-waza and randori).

In terms of aikido practice, this was fairly instructive. The classes tend to have a lot of newbies, with regular Oberlin Aikikai members showing up at times. So, the sensei went over the basic techniques in ways where I could see the aikido vs. jujitsu differences fairly clearly and adapt to aikido practice. Additionally, when working with the newbies, I had to explain what was going on, which helps in clarifying the techniques in my own mind. (One thing I’ve heard said about working with newbies is that their falls are “honest”, in the sense that they’ll fall more similarly to the drunk guy in the bar compared to someone who knows ukemi. I suppose this is true, in that the newbies tend to splat rather than take graceful rolls. On the other hand, I’d be doing my level best to get drunk guy to splat rather than halting my technique to ask uke if he’s ready to roll, and then watching him splat regardless; the analogy isn’t quite there. Drunk guys may also give stronger attacks that are easier to lead, whereas young aikido newbies are a self-selecting group who tend to have fairly feeble punches that are harder to lead for set techniques, i.e., I perhaps would have switched up to something else given such an attack.) Every few turns, I got to work with the more experienced aikidoka and could work quickly or try variations.

More or less, all the aikido students there were Oberlin students, which inevitably leads to the feeling that youth is wasted on the young. Skinny kid does a head-stand and he holds it for a couple of minutes without a problem. Others are remarkably stretchy. Meanwhile, I have to spend time before class loosening up the back and checking my knees. During class, I’m taking quick, careful ukemi to preserve my elbows and the shoulder that got jammed in ne-waza a few months ago. My ukemi is bouncier than theirs only because I tend not to splat on the mat when thrown; in a few month’s time, they’ll be rolling more cleanly than they are now. I have envy: these kids are starting out on this practice at least a decade before I did. They have a long, interesting road to look forward to, and they get to travel for a while on this road before their joints get creaky and their muscles stiffen up.

Of course, youth is not always a good thing. One of the newbies hasn’t yet realized that putting greasy goop in his hair before class makes tori feel somewhat gross when doing iriminage. Tori then has conflicting impluses to either get the hell away or slam uke into the ground for imposing this yuckiness on him. Since slamming newbie ukes into the ground is frowned upon, “get the hell away” prevailed, which made the light and easy iriminage practice somewhat less effective. After this, I made sure that I worked with him only on techniques where I stayed far, far away from his head.

I didn’t go to the 6th kyu testing on the last evening class of Winter Term, but did do a fair amount of aikido on the following weekend. Oberlin Aikikai traditionally caps off these Terms by hosting a big seminar taught by a high-ranking aikidoka. Mary Heiny Sensei taught it this year (last year, too, for that matter). I only attended the first two sessions on Friday night and Saturday morning, and it was interesting to have a few dozen, generally experienced aikidoka of various sizes on the mat to work with. I’m not sure how much I got out of the lectures themselves: I found them similar to Shihan Berrios’s talks on Eizan Ryu test nights, but with more talk of spirals and ki/energy, and less Socratic-style interrogation of students (with the answer being either “practice” or “nothing”) and pain. One thing she did note was that only a fraction of training happens in the dojo. The rest comes from the student thinking about techniques and the art off the mat. She recounted doing tenkan while waiting for the elevator or trying to keep balance on a moving train in Tokyo. This bought back some memories of doing a taisabaki on the subway to, say, get around the guy standing in the door blocking ingress.

There was also a kokyunage off a wrist-grab where Mary Heiny Sensei did no-touch throws: uke attacked hard and took big falls without contact by tori. This was very cool to watch, but afterwards I realized what was going on. It’s not that uke pretends to attack and falls because of tori’s gestures: it’s instead an impressive demonstration of how lead can be used to totally destroy uke’s balance. But I think this requires uke to make a very dedicated attack, where uke, in some respects, becomes a binary entity committed either to carrying through the attack or to taking ukemi. In this demonstration, it was a particular technique against a particular attack, but you should also be able to have similar effects with any technique/any attack situations. Uke is intent on carrying through with what he originally set his mind to, and tori can use that intent to effect throws without touching him, or with minimal contact. I suppose that’s basically what a kokyunage is. But what if uke isn’t intent on carrying through with the attack? What if uke feints, or is chaining together a throw combination, or sees a better opportunity, or, for that matter, sees what tori is doing? I suppose we get into free fighting in this case, and I’ve found the transition to free fighting incredibly hard. This is one reason I like judo randori: while it may only be a subset of all available technique, uke isn’t following a particular attack convention, but is doing his level best to take you down.

The Producers

January 27th, 2005 | 09:01

Last weekend, Grace and I did what we couldn’t quite do in New York: catch The Producers, the Broadway musical. Albeit at Playhouse Square in Cleveland, albeit the travelling company without Broderick and Lane. But what can you do?

I haven’t seen the original movie in a very long time. I remember it starting off a little slowing, and then steadily growing on you until the suddenly rolling-on-the-floor-laughing final act, which was arguably one of the funniest things ever to be put on screen. The Broadway musical is different: it’s a bit more modern with a few contemporary cultural references, it’s a bit more risque with the Little Old Ladies and De Bris, it’s a little more conventional with redemption and self-actualization by the end of it all. It’s good, a very fine Broadway hit, but it wasn’t that surprising.

In particular, I think the shock of the Springtime for Hitler musical-within-the-movie apocalypse is diluted by making it a musical-within-the-musical in this production. “Springtime for Hitler and Germany, Deutschland is happy and gay!” no longer constitutes a surprising, hilarious break from everything that had been going on before, and is now merely another showtune in a string of showtunes. This is a bit of a letdown, from my memories of watching the original movie the first time.

On the plus side, it really is a fine Broadway show. It seemed to clarify and carry the story better than the movie, especially at the beginning (which I remember dragging a bit). Funny how rendering plot points and motivations into song and dance does that. The happy ending where everyone learns something and everyone gets what they want at the end was a bit cliched, but it is Broadway after all. I just don’t remember that happening in the movie, but my faulty memory may be to blame. The singing and dancing seemed fine in the touring company, but I’m no judge of these things. I don’t know how Broderick and Lane did it. This production’s Leo seemed overly nervous, especially at the beginning, but that just may be the way it is. The references to Mel Brook’s past were also appreciated (“Death of a Salesman, On Ice!”).

Oh, I haven’t really followed Curb Your Enthusiasm, but apparently last season was perhaps a big meta-riff, playing on Jason Alexander playing Bialystock in the L.A. “Producers”, Jason being most famous as George on Seinfeld, upon whom Larry David is based on. Just the idea of it got me to queue up the to-be-released DVD set on Netflix.

Here’s a question: can The Producers be staged in Germany?

Update: Of course, I somehow chose the 40th anniversary of the liberation of Auschwitz for this post. This Mel Brooks movie was written probably in the mid- to late-1960s. At what time does it become appropriate to ridicule the devil after catastrophe?

Judo Randori Notes

January 26th, 2005 | 06:06

Some notes from last night’s judo class, before I forget (as if I remember anything during randori anyway), to address my problems of entering when uke is bigger, heavier and sort of stiff arms me to keep me outside:

The main thing to do is work on motion, by going to the side, either dancing with uke in that direction, or circle pulling on the right hand. One thing I’m forgetting is that it’s not easy entering against a larger uke if you try charging directly in. My legs are shorter, also, so I can’t get a good attack on o-uchi-gari to begin any sort of combination (o-uchi-gari to seionage, to o-soto-gari, to tai o-toshi, etc.). As with aikido (if I only I can remember to try more basic aiki during randori), get off uke’s center before trying anything. The circle pulling is an important tactic, as you get off the line and then set up uke for some sort of entry. Similarly, hiza guruma gets you off the line and (hopefully) begins to unbalance uke for something else. I should also try uchi-mata, with a quick step off to the side.

There’s also the lapel grip seionage, where the bigger pull comes off uke’s lapel. In the case of the standard right-handed judo grip, the pull comes on tori’s right and the clipping arm is the left arm. Certainly, in the relatively un-ambidextrous world of judo, this sort of throw might be somewhat surprising. I need to practice this one.

Of course, this raises the question of how much technique differential is needed to make up for a given size/weight differential, as all the other white belts have several inches and a couple dozen pounds on me. I experienced the reverse of this situation a few times in the past couple of weeks when I randori-ed with one of the recently ex-juniors (an orange belt, about 14 years old, starting out senior class) and one of the women judoka (blue belt, where I outweighed her by 40 or so pounds and had a few inches of reach). I did well against both of them, with at least a couple clean throws and relative immunity to their attacks (the blue belt did get me on a quick sweep once).

KitchenAid and Irish Soda Bread

January 22nd, 2005 | 07:18

I got a KitchenAid stand mixer a few months ago through one of those Amazon Friday Sales for a bit more than 1/3 off their list price. It’s a nice machine, and, while, yes, people have had stand mixer and baking experience handed down over generations, making things using the KitchenAid is a relatively new thing for me. So far, I’ve used the dough hook and paddle attachments, but not the wire wisk (haven’t yet had to do anything involving whipped cream, egg foams, etc.). This Irish Soda Bread I made last night didn’t really benefit much from the stand mixer (it’s just a quick bread and doesn’t require strong forearms to work the dough), but the Kitchen Aid did speed things up. Where the stand mixer has excelled is with the tasks and techniques that I found a major pain in the ass and discouraged me from making baked goods by hand. These would be creaming butter and kneeding stiff dough. So far, things that have really benefited from the KitchenAid have been fresh pasta, potato gnocchi, apple crisp, pie crusts, buttercream frosting and yeast bread. I’ll post recipes on what I did with these later, when I make them again, but I wanted to get the soda bread recipe down someplace without resorting to Google or A9.

This is based on this recipe from AllRecipes.com:

INGREDIENTS:

* 4 cups all-purpose flour
* 4 tablespoons white sugar
* 1 teaspoon baking soda
* 1 tablespoon baking powder
* 1/2 teaspoon salt
* 1/4 cup butter, softened
* 1 cup plain yogurt
* 1 egg
* 2 tablespoons butter, melted

DIRECTIONS:

1. Preheat oven to 375 degrees F (190 degrees C). Lightly grease a large baking sheet.
2. In mixer bowl, mix together wet team (sugar, softened butter, egg, yogurt).
3. In separate bowl, mix dry team (flour, baking soda, baking powder, salt). Stir dry team into wet team in batches, mix until a smooth dough forms. You may need to add more flour. Turn dough out onto a lightly floured surface and knead slightly. Form dough into a round and place on prepared baking sheet. Brush with melted butter.
4. Bake in preheated oven for 45 to 50 minutes, or until a toothpick inserted into the center of the loaf comes out clean, about 30 to 50 minutes. You may continue to brush the loaf with the butter while it bakes.

Mastering Wide-Angle

January 11th, 2005 | 08:06

Instapundit has a pointer to this article by Petteri Sulonen, Mastering Wide-Angle, which is a discussion on the pros and cons of wide-angle photography, and where and how one would use such lenses.

I’ve also heard wide-angle lenses called “story-telling lenses” (was it in Understanding Exposure?), as the photographer can capture a large amount of scenery and create a bit of narrative or at least the sense of a moment in a narrative. The article does point out that one can do portraits with wide-angle lenses, but the subject will tend to have to be an element in the scenery rather than the subject of a traditional portrait. His example of a guy working with hay illustrates both these notions: the man is only in a part of the overall shot, and he’s doing something.

The widest angle I have is on the D70 kit 18-70 lens. The 12-24 should give 50% more angle (on the D70, it should (perhaps ironically) be equivalent to a 35mm film’s 18-36), but is pricey. The Sulonen article does have a list of alternatives, such as the Sigma 12-24mm/4.5-5.6, which is cheaper, but still in the $500+ range.

Constantino’s Market

January 10th, 2005 | 12:52

The much delayed Constantino’s Market is finally opening today, so say the sign on the front door. This is supposed to be the first real grocery store in the Warehouse District (6th Street Market vaguely holds that title but seems to be more a storefront for a wholesale liquor distributor that just happens to have groceries near their expiry dates for sale) and will be a welcome addition to the area. It’s also a sign that the Warehouse District has matured enough to support such an establishment, instead of the relatively transient patrons of the bars and restaurants prevelant in the District. No longer do we have to schlepp out to Lakewood just because we realized — too late! — that we’re short of butter for a given recipe.

At about noon today, they have the doors open, but they’re still working on putting on the finishing touches (e.g., price stickers, shelf stocking, turning on cash registers). There were about a dozen people walking around to get a feel for the store in this pre-opening phase. This initial interest is a good sign for the store’s future: I want them to succeed, if only because it’ll make our lives easier.

It seems to be a fairly nifty store. There’s produce, meat, dairy and so on, in neat displays. The deli section is fairly large for a store that size, so prepared foods is expected to be a big item. There’s a good selection of pastries in the Bakery section, though little daily bread on display as of yet. There’s also a section that I’ll call “gifts”, which has a small greeting card display and a lot of well-wrapped boxes of chocolates, dried fruits and so on. Wine and beer sections look decent, though this matters very little to me. The cheese cooler is a bit dinky, but seems to have a good variety. There’s a small pharmacy section, with the usual selection of aspirin, mouthwash and antacid tablets found in every small deli in the world.

Prices (at least the tags that were visible) seem OK: about the same as Tops or a bit higher. Chicken stock was the same as Tops, butter was more expensive, and milk slightly cheaper (granted, for the big grocery chains, you also get frequent buyer discounts). The intention wouldn’t be to do bulk shopping there, but this would be fine for emergency items or lazy shopping.

The best store analogy I have would be Garden of Eden in New York rather than a Westside Markets. The store, in fact, very much resembles a small, less densely packed Garden of Eden.

I may stop there later tonight, as I actually am out of butter.